![]() With The Whale - the title a reference to Moby Dick, Charlie’s favourite book - Hunter has given us a story that fuses love, grief, and discomfort as a zigzag path to empathy. Hunter, here adapting his own play, has already proved himself a compassionate chronicler of offbeat characters with the FX series Baskets. If youre looking for a little more than just a snack, these theatres serve theatre food options like burgers and. Can any of these folks, regardless of their personal agendas, serve as the lifeline to self-acceptance that Charlie so urgently needs? Meanwhile, Charlie receives visits from a door-to-door evangelist (Ty Simpkins) who engages him in a dialogue about redemption that, despite Charlie’s lack of religious inclination, proves surprisingly resonant. His obesity starts to pose a grave threat to his health and his friend Liz (Hong Chau, also at this year’s Festival in The Menu), a nurse, begs him to check into a hospital, but also recognizes that it might be more important to simply offer support.Ĭharlie’s current status quo is upended by the return of his long-estranged adolescent daughter, Ellie (Sadie Sink), though her willingness to resume a relationship seems prompted as much by Charlie’s offers to ghostwrite her school essays as it is by her sense of familial loyalty. He makes excuses and is so good-natured that no one makes a fuss, but the real reason for his invisibility is his appearance. Writing instructor Charlie (Fraser) never seems to have his webcam enabled while teaching online. The Whale invites us to identify with a man in a precarious state of isolation that has been exacerbated by a potentially lethal mix of technology and our culture of body shaming. “Why does the water no longer quench our thirst?” Pisuwin pushes us to confront our greed and alienation, while inspiring us to take a different path one of connection, community and wholeness.”ĭescription: Brendan Fraser gives a career-defining performance in this arrestingly intimate drama from director Darren Aronofsky. Electronic sound, industrial landscapes and digital projection, juxtaposed with Wolastoq visual motifs of the spiritual and natural world, create the indigenous cosmology within which the story takes place. The project features eight dancers and blends indigenous storytelling and ballet, redefining this classical form for a diverse, savvy and contemporary audience. Based on a Wolastoq tale, this multidisciplinary piece reflects on the current state of dis-ease in our world, illuminating a path to wholeness and rebalance. “From award-winning director and choreographer Igor Dobrovolskiy, and multi-disciplinary artist Nipahtuwet Naka Wespahtuwet (Possesom) Paul (Wolastoqiyik, Sitansisk First Nation), Pisuwin is an epic first ever Wolastoq story-ballet set to the soaring music of Polaris Prize and Juno award-winning composer Jeremy Dutcher (Wolastoqiyik, Neqotkuk First Nation). Jeremy Dutcher and Possesom Paul partner with Atlantic Ballet for this brand new production. Non-Profit OrganizationsEat, Shop, Stay & Play. GENRE: Ballet, Multi-disciplinary, Storytelling Coming Soon Topsham THE LITTLE MERMAID LIVE COMEDY - BEST OF BOSTON COMEDY GUARDIANS OF THE GALAXY VOLUME 3 21+ GUARDIANS OF THE GALAXY VOLUME 3 HAPPY.
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